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It's impossible for me to pick a favorite here. What I find interesting is the fact that he uses varying degrees of light to great effect in setting a mood in these pieces, whether it's the bold chiaroscuro in Lilith with a Snake, or the more subdued tones in either Lady Godiva or Circe. All good works in this respect.

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Unperson Pending
Unperson Pending

Written by Unperson Pending

There is no god. No one can demonstrate otherwise.

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